As a leading figure in the New York intellectual scene of the 1950s and 1960s, Rosenberg was well-positioned to put his ideas into practice. Along with fellow critics and writers such as Clement Greenberg, Irving Howe, and Susan Sontag, Rosenberg helped shape the cultural and artistic landscape of post-war America.
He argued that the finished painting is merely the physical residue of the act of creation, not the purpose of the work itself. Harold Rosenberg The Tradition Of The New Pdf Version