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This technique aligns with Linda Williams’ concept of "body genres," where the spectacle is centered on the spectacle of the body in ecstasy. However, Khan modifies this by incorporating elements of control. Her performances often dictate the rhythm of the scene, challenging Marti’s directorial pacing. This interplay creates a tension that is palpable to the audience, transforming the scene from a routine transaction into a struggle for dominance that serves as the scene's primary dramatic engine. , primarily centered around their collaborative work in