The document is broken into the typical pre‑production sections (concept, tone, characters, log‑line, synopsis, structure, visual style, music, etc.) plus a scene‑by‑scene outline and production checklist so you can move straight to shooting.
1. QUICK‑LOOK FACT SHEET | Element | Details | |---------|---------| | Title | Masha Babko – Siberian Mouse (First Studio Video) | | Year | 2021 (released in a studio setting) | | Genre | Pop‑electro‑dance with a whimsical narrative (music‑video‑short‑film hybrid) | | Runtime | 3 min 30 s (song) + 30 s intro/outro = ~4 min | | Key Creative | Director: [Your Name] Choreographer: [Name] Art Director: [Name] | | Primary Talent | Masha Babko – lead singer & performer Supporting “Siberian Mouse” – a costumed dancer/puppet | | Location | Large sound‑stage (≈30 × 20 m) with modular set pieces; optional green‑screen wall for VFX extensions. | | Budget Tier | Low‑mid (≈ $30‑45 k) – relies heavily on creative set design, practical effects and post‑production graphics. | | Target Platforms | YouTube, Instagram Reels, TikTok, streaming services, TV‑spot (30‑sec edit) | | Core Message | “Even a tiny mouse can light up a frozen world – dance, shine, be fearless.” |
2. CONCEPT & TONALITY Concept: A stylized, story‑driven pop video that blends a real‑world performance with fantastical elements . Masha Babko sings “Siberian Mouse” while a playful, anthropomorphic mouse (a mix of costume, puppetry and CG) leads her through a wintry wonderland that’s actually a studio‑built snow‑globe . The video is both a showcase of Masha’s vocal/dance chops and an imaginative visual metaphor for finding warmth and rhythm in a cold, isolated world – a perfect fit for the pandemic‑era vibe of 2021. Tone:
Bright, neon‑tinged pastel palette (icy blues, pinks, electric purples). Kinetic choreography mixed with “stop‑motion‑like” mouse antics. Light‑hearted, slightly mischievous, with moments of genuine emotional uplift. masha babko siberian mouse 1st studio video 2021
3. LOG‑LINE When a shy Siberian mouse discovers an abandoned studio, it convinces pop star Masha Babko to break the ice with a dance that melts the cold—turning a frozen stage into a glowing celebration of rhythm, friendship, and fearless fun.
4. SYNOPSIS Intro (0:00‑0:15) – A static shot of a frosted glass dome on a dim stage. A soft piano intro plays, and the camera pushes through the glass to reveal the studio set, bathed in cool blue light. Snowflakes drift lazily. Verse 1 (0:15‑0:45) – Masha appears in a glittering silver coat, lips moving to the opening lines. The “Siberian Mouse” scurries from behind a set piece, its eyes glowing amber. As the beat builds, the mouse nudges a lever, causing a hidden wall of LED panels to flicker on, revealing a sprawling, stylized “Siberian forest” backdrop. Pre‑Chorus (0:45‑1:00) – The mouse performs a quick, acrobatic routine (puppet + dancer), prompting Masha to join. Their movements sync with the song’s rising synth line; light ribbons sweep across the set. Chorus (1:00‑1:45) – Full‑stage choreography erupts: Masha and a troupe of dancers (in coordinated pastel jumpsuits) spin, slide, and pop‑lock across a floor that transitions from white “snow” to a glowing LED grid that pulses to the bass. The mouse darts between them, leaving a trail of sparkling particle effects (practical glitter + CGI). The chorus’s hook — “I’m the mouse that can’t be tamed” — is highlighted with a quick cut to a close‑up of the mouse’s expressive face, then to Masha’s confident, smiling close‑up. Bridge / Visual Break (1:45‑2:15) – The beat drops, lights dim to deep indigo. A slow‑motion segment shows the mouse leaping onto a massive crystal snowflake prop. Masha, now alone, sings an intimate vocal line while a projection mapping of aurora borealis ripples across the background. The mouse’s silhouette is reflected in the crystal, symbolizing unity. Second Chorus (2:15‑3:00) – Lights explode. The stage becomes a hyper‑colorful rave : laser beams, confetti cannons, and a digital snowstorm (VFX). All performers—including the mouse—dance in unison. The camera spins 360° around the group, ending on a high‑energy freeze‑frame of Masha and the mouse high‑fiving. Outro (3:00‑3:30) – The music fades to a simple synth echo. The mouse hops onto Masha’s shoulder, looks directly at the camera, and winks. The dome glass reappears, now cracked (symbolizing the “melting” of the cold). Fade to black, with a stylized title card : “Masha Babko – Siberian Mouse (2021)”. End Card (Optional 30 s for social cut) – Quick montage of behind‑the‑scenes footage, a call‑to‑action to stream the track, and the hashtag #SiberianMouse .
5. VISUAL STYLE & DESIGN GUIDELINES | Aspect | Details / References | |--------|----------------------| | Color Palette | Primary: icy cyan (#00d9ff), lavender (#c48fff), soft pink (#ffb6c1). Accent: neon magenta, gold. | | Set Design | Modular “snow‑globe” set: layered platforms, frosted acrylic walls, LED backdrops. Use white foam snow (lightweight, reusable) and clear acrylic “ice” columns with internal LEDs. | | Costume | Masha: silver sequined coat, iridescent bodysuit, glittery boots. Dancers: pastel jumpsuits with reflective piping. Mouse: full‑body puppet (silicone skin) with animatronic head/ears; optional hand‑operated for close‑ups. | | Lighting | Cold wash (blue/white) for verses → warm, pulsating RGB for choruses. Use DMX‑controlled moving heads and laser strips to sync with music beats. | | Camera Work | Combination of steady‑cam tracking , gimbal swoops , and dynamic crane lifts for the big chorus. Use a 4K RED or Sony FX9 for high‑resolution capture; shoot at 48 fps for smooth slow‑motion sections. | | VFX | Particle snow, aurora projection, and mouse‑trail sparkles added in After Effects . Keep practical effects (glitter, confetti) for realism. | | Typography | Title card uses a modern sans‑serif with a subtle frost texture; animated with a “melting” effect. | The document is broken into the typical pre‑production
6. MUSIC & SOUND
Song : “Siberian Mouse” (original track by Masha Babko). Tempo : ~124 BPM, 4/4, key of A minor, synth‑driven pop with a strong sub‑bass. Key Musical Moments : • Intro piano + ambient wind effects (for atmospheric opening). • Bass drop on the first chorus (perfect for light burst). • Bridge with a stripped‑down vocal + synth pads (ideal for projection mapping). Foley / SFX : Subtle crackle of ice , mouse squeaks (soft, friendly), whoosh for moving lights, confetti rustle .
Audio Mix Note : Keep the mouse’s vocalized squeaks low‑mix so they feel like part of the arrangement, not a distraction. | | Budget Tier | Low‑mid (≈ $30‑45
7. CHOREOGRAPHY HIGHLIGHTS | Section | Core Move | Reason | |---------|----------|--------| | Verse 1 | Gliding footwork (slide‑step across faux ice) | Emphasizes the “cold” setting while staying fluid. | | Pre‑Chorus | Quick foot taps + arm waves (mirror the mouse’s darting) | Syncs dancer and mouse, builds kinetic energy. | | Chorus | Full‑body pop‑lock + syncopated jumps | Aligns with the heavy synth beat; high visual impact. | | Bridge | Slow, lyrical hand‑flow (Masha reaching toward the crystal) | Highlights emotional intimacy before final burst. | | Final Chorus | Group wave (all dancers raise arms in a ripple) + mouse spin | Creates a climactic visual “wave of warmth.” | Tip: Rehearse the mouse’s puppet timing with a metronome to keep it perfectly locked to the beat.
8. PRODUCTION SCHEDULE (6‑Week Timeline) | Week | Tasks | |------|-------| | 1 – Pre‑Production | Finalize script & storyboard; secure studio & set construction crew; order costumes, mouse puppet, LED panels; hire choreographer & dancers; lock song mix. | | 2 – Set Build & Tech Test | Construct modular set; install lighting rigs; test LED walls; run a camera/lighting sync test (including motion‑control for the 360° shot). | | 3 – Rehearsals | Full dance rehearsals on set mock‑up; puppet/mouse rehearsals (puppeteer + dancer). Record a temp‑track for timing. | | 4 – Principal Photography (2 days) | Day 1: All set pieces, main performance (verses, choruses, bridge). Day 2: Close‑ups, mouse‑only shots, extra VFX plates, confetti cannons. | | 5 – Post‑Production | Rough edit (sync to final song), VFX pass (snow particles, aurora), color grading (cool → warm transition). | | 6 – Delivery | Final cut, export for YouTube/IG/TikTok (4K & 1080p). Create 30‑sec teaser & 15‑sec TikTok cut. Generate subtitles/closed‑captions. | Buffer : Allocate 2 extra days for any weather‑related delays (if you decide to shoot any exterior snow shots).