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Despite its progressive reputation, the relationship between Malayalam cinema and caste is deeply fraught. The industry’s very origin was a testament to caste violence, and for decades, this trauma shaped a deep-seated silence. As one critical analysis bluntly states, “Malayalam cinema, like many ‘cultural’ fields, remains an upper-caste bastion where dominant narratives are perpetuated, certain ways of seeing and knowing are universalised, and all other perspectives and histories are buried”. The question of representation is not just about which stories are told, but who gets to tell them and who has the power to define what counts as “good cinema”.

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In the 2010s, a new generation of filmmakers, writers, and actors triggered a cinematic renaissance often termed the "New Generation" wave. Filmmakers like Dileesh Pothan, Lijo Jose Pellissery, Mahesh Narayanan, and Jeethu Joseph brought a hyper-realistic, technically sophisticated approach to filmmaking. The question of representation is not just about

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: Many films are adaptations of Malayali literature, known for its intellectual depth and wit. A Legacy of Excellence