As Bestas Rodrigo Sorogoyen Jun 2026

The genius of The Beasts lies in its refusal to present a simplistic narrative of good versus evil. While the tension is unrelenting, the film is deeply interested in the psychology of all its characters, imbuing them with a tragic dimensionality.

The title As Bestas (Galician for The Beasts ) refers directly to the film's opening sequence, which serves as the overarching metaphor for the entire narrative. The film opens with a slow-motion, visceral sequence of as rapa das bestas —a traditional Galician festival where wild horses are wrestled to the ground by bare-handed men called aloitadores to shear their manes and brand them. as bestas rodrigo sorogoyen

Cinematographer Alejandro de Pablo utilizes the Galician landscape beautifully, but subverts expectations. Instead of sweeping, majestic vistas, the mountains are framed to look like monolithic walls closing in on the characters. The palette is dominated by muted grays, dark greens, and muddy browns, emphasizing the bleak hardness of the environment. Powerhouse Performances The genius of The Beasts lies in its

A scene-by-scene of the film's long takes The film opens with a slow-motion, visceral sequence

She refuses to leave the farm, continuing to tend to the crops while searching the vast, unforgiving landscape for her missing husband. This half introduces Olga’s daughter, Marie (Marie Colomb), creating a brilliant ideological clash between generations. Marie views her mother’s stubbornness as madness; Olga views it as an uncompromising refusal to let her life, and her husband's memory, be erased by violence. Visual Directing and Symbolism