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This paper explores the "New Wave" of Marathi cinema, theorizing how the cultural economy of multiplexes prompted a massive shift in how Marathi stories are told and consumed. It argues that since the landmark film Shwaas in 2003, the industry has undergone an aesthetic and structural reorientation, moving from rural-centric themes to content that appeals to a sophisticated, urban "multiplex audience". Key Themes in Marathi Media Research marathi xxx videos exclusive