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Pooja's entry into the film industry was, by her own account, accidental. A friend introduced her to renowned cinematographer-turned-director Jeeva, who offered her a role in his Tamil college drama, Ullam Ketkumae (2005). Initially, she saw it as a one-off project, intending to "get back to studying". Fate, however, had other plans.
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[Naan Kadavul: The Artistic Pivot] │ ┌────────────────────────┴────────────────────────┐ ▼ ▼ Commercial Image Critical Acclaim • Romantic lead • Gritty realism • Glamorous roles • Physically demanding • Pop-media darling • Award-winning depth The Role of Hamshavalli Pooja's entry into the film industry was, by
Pooja’s defining career moment came with Bala’s critically acclaimed masterpiece Naan Kadavul . She portrayed Hamshadhvani, a blind beggar girl trapped in a brutal human trafficking ring. Fate, however, had other plans
Early in her career, she became a household name through hits like Ullam Ketkumae (2005) and (2005).
As the entertainment landscape transitioned from traditional silver screens to multi-platform digital consumption, Pooja adapted seamlessly. Engaging Audiences via Reality TV
She starred in a string of massive box-office hits, including Anjalika , Asai Man Piyabanna , Suwanda Denuna Jeewithe , and Kusa Pabha . Her collaboration with Sri Lankan filmmakers elevated the production values and commercial reach of local cinema. In Sri Lanka, she was not just an actress from India; she was celebrated as a local icon who brought international star power to indigenous storytelling. Her presence bridged the gap between the Indian and Sri Lankan entertainment ecosystems, fostering greater artistic collaboration between the two nations. Transition to Television and Popular Digital Media