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Plug in wired IEMs (the 3.5mm jack delivers 2V RMS — enough to drive 600Ω cans). Or let the dual ESS Sabre DACs unfold a soundstage so wide you forget the device exists. The Centoxcento does not want to be seen. It wants to be a — present only in the spaces between notes, in the reverb tail of a live jazz recording, in the vinyl crackle of a 1968 mono remaster that no algorithm has "enhanced."