A recurring theme in The Pattern of Thoughts is that drawing, model-making, and material selection are not subordinate to thinking — they are thinking. Fehn criticizes computer-aided design in its early days (the book was published in 1999) for skipping the hand-drawn sketch, which he called “the slow meditation.” He argues that the resistance of wood, stone, and concrete forces the architect to refine patterns of thought that pure digital manipulation avoids.
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: Represented by wood, which carries intrinsic, clear dimensions. Core Projects A recurring theme in The Pattern of Thoughts
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Sverre Fehn: Works, Projects, Writings 1949–1996 by Christian Norberg-Schulz and Gennaro Postiglione.